I am very proud to present Tiny Tables Series 5. William Morris said,”Have nothing in your houses that you do not know to be useful, or believe to be beautiful.” and I believe Series 5 fits the bill for both.
Series 5 represents natural beauty, rebirth, and hope. Its construction is based on a butterfly sculpture I have been working on, and the legs mirror the angles I use for wings. Combined with all repurposed materials, Series 5 will be recreated over-and-over using a variety of materials while keeping the design the same.
Tiny Table S5
#2 features solid steel top.
#1 and #3 feature an x-ray cartridge
New hand made adjuster.
Series 5 #1 and #3 feature removable X-ray cartridge tops as well as a handmade adjustor and walnut feet.
Dimensions 11″ x 13″ x 20″ // Price $113
Series 5 #2 has a reclaimed steel top, eye bolt adjustor.
One of my favorite things about making each piece individually by hand is how different and unique each piece really is. From the materials I am using, to the way I feel, and the designs that are in my head. Each piece is a truly unique experience, and a great way to watch the evolution is through the tiny tables. Let’s look back at the evolution of tiny tables.
These are from the first series of Tiny Tables. Under the ZOO name, this was an original set of ten, built at The Hive Phoenix. Do you have one?
Series two Tiny Tables were slightly larger due to the barn wood I was using at the time. All steel was “Urban Foraged”. There were originally five in this series, made under the ZOO label, and built at the Hive Phoenix. Do you have one?
Series three was similar to series one, but were numbered 1-12.
Series four tiny tables were the first under the new ‘Industrial Craftsman Furniture” label, featured a stenciled W on the bottom and were part of a full collection called “Industrial Revolution”. There were 3 of each piece in this collection, the first collection built at “the cottages”…
This series included 5 pieces and were cut offs from the patio tables I did for the Tempe Buttes Marriott. They were built at the cottages and were the first to feature a carved-W signature instead of spray paint stencilled.
Two Tiny tables and a saw blade table I built In Ghent NY.
As you can see, over time my style has developed and changed. There are many more “Tiny tables” out there but I do not always get/keep photos. Do you have one? Post a photo.
Spring is a wonderful time in NY, the weather warms up, the flowers bloom…and stuff gets built.
Seel and maple.
Rhinebeck is an adorable hamlet on the Hudson river about an hour and a half north of the city, it features colonial and gothic architecture, cute, bustling shops and an amazing Pilates studio.
I had the privilege of building the front desk for said amazing studio, in this charmed hamlet. It started with locally sourced, spalted Maple that was beautifully figured and had dark lines of “spalting”. Then, I added some birch Plywood to match the existing furniture. The final step was creating a “charging station” where students could leave their cell phones, while escaping into the Pilates peace of mind.
Three months ago I was asked to sketch up a few designs for the Buttes and see about building a few new tables for their patio. They liked what I presented. After a few meetings and conversations I started the build out. Working with some local saw mills (and one in Oregon), I set out to find the perfect wood. I chose many varieties: Black Acacia, three types of Mesquite, White Ash, Arizona Elm, Oregon Cottonwood, Maple, Grenadino, and Aleppo Pine. Next, I set out to design the bases, using 1 1/2 and 2″ square tube steel with wood inserts, one adjustable. I trussed them in four unique ways using some custom iron, antique fence pieces, some bar stock and some unique craftsmanship. Each table base is its own while following a common theme, so they match without being the same. For the wood, I used some live edge and free forms, as well as cut some square. By following the nature in each piece, the tops formed themselves into color and shape, contrast that gives the pieces even more dimension. The rustic, clean look fits well with the modern restaurant architecture set in rocks amidst a cactus garden. Being given so much artistic freedom this project embodies the Industrial Craftsman style.
Hi everyone, I’m Bill Hemphill, the Industrial Craftsman.
Every piece of ICF furniture is handbuilt by me in a small studio at my cottage in Downtown Phoenix.
The Industrial Craftsman story begins at a time when I was a union carpenter, and as the recession hit, I became a stay-at-home dad with two babies.
While helping a friend on a Micro Dwell (tiny house) concept, I was invited to start a small cactus nursery in the parking lot of his art gallery, known as The Hive. Aside from tending these plants, I built furniture from alley scraps that I found on my way to work. One day while foraging, I came across a unique wood table, it was really old and well built. I discovered it was a Gustav Stickley circa 1910! This led me to study his work, where I found so many themes I could relate to, including— a man should enjoy his work, nature should be valued, and workers are craftsman. Inspired by the clean lines and use of quality materials.
So I began to study the turn of the century Craftsman Movement, from Macintosh and William Morris, to Greene and Greene and Stickley. I found myself not only drawn to the design but also to the underlying philosophy of quality, simplicity, craftsmanship and usefulness of each piece. My nursery became more and more a workshop, until it no longer fit my art gallery surroundings. I did some great work and moved my shop to a newfound home at the cottages. I continue to build and study, finding some success. My style began to evolve from furniture of scraps to something that truly resembled the Craftsman Movement. Although while still using repurposed material, it became something different, neither Industrial nor Craftsman, but something in the middle, like “Gustav Stickley with a welder”. That’s how the Industrial Craftsman style was born.
We’re at a time and place in the world where we can no longer afford to be wasteful by buying disposable furniture. The Industrial Craftsman Movement is about taking back the craft by putting it in the hands of the worker, while creating a quality product that lasts several lifetimes.
My philosophy is to deliver high-quality, custom, handmade furniture that serves the businesses and residents of my community. Because of its simple design and diversity of materials, I can create a beautiful piece to fit any budget. I aspire to have a piece of furniture in every home and business in my neighborhood, and I’m off to a good start.